Resume Example

Videographer Resume Examples

Use these ATS-friendly resume examples and templates to showcase your production credits, technical range, and audience results as a Videographer.
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Contents
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A strong videographer resume should show what you shot, who it was for, and what the footage achieved. Highlight production volume, formats and genres, the gear and software you own or operate, view counts and engagement where the work was public, client retention, and any crew you directed. A reel gets you the interview, but the resume has to survive the applicant tracking system first. Use the examples below to see how to turn production experience into clear, results-focused resume achievements.

Videographer Resume Example

Meet Idris Kalu, a fictional videographer with 7+ years shooting branded content, events, and documentary work in house. This example highlights production volume, measurable audience results, and the technical range that lets one person cover a shoot end to end.

Idris Kalu

(404) 555-0157 ◇ Atlanta, GA

idris.kalu@example.com ◇ linkedin.com/in/idris-kalu ◇ idriskalu.com

Objective

Videographer with 7+ years producing branded content, events, and documentary work for an in-house team. Delivered 240 finished videos that drew 18 million combined views, lifted average watch time on the brand channel from 34% to 61%, and shoots, lights, and edits without needing a crew for most jobs. Owns the work from concept through final delivery rather than handing it off halfway.

Education
B.A. in Film and Media Production, Peachtree Ridge University 2014 – 2018

Coursework in Cinematography, Editing, Sound Design, and Documentary Practice; senior film screened at 2 festivals.

FAA Part 107 Remote Pilot Certificate, Federal Aviation Administration 2020

Current through 2026; also completed DaVinci Resolve colour grading certification in 2022.

Skills
Production
Cinematography, lighting design, location and studio shooting, multi-camera events, interview setup, drone work
Post-Production
Editing, colour grading, sound mixing, motion graphics, subtitling, versioning for platform and aspect ratio
Project Delivery
Concept development, storyboarding, shot lists, scheduling, stakeholder review cycles, asset management
Tools & Gear
Adobe Premiere Pro, DaVinci Resolve, After Effects, Sony FX6 and FX3, Aputure lighting, DJI drones, Frame.io
Experience
Videographer 03/2021 – Present
Peachwood Athletic Brands Atlanta, GA
  • Produce about 70 finished videos a year covering campaigns, athlete features, and events, shooting and editing most single-handed.
  • Lifted average watch time on the brand channel from 34% to 61% by restructuring openings around the first 5 seconds.
  • Delivered a documentary series of 6 episodes that drew 4.2 million views and was picked up by 3 partner channels.
Video Producer 07/2018 – 02/2021
Marietta Line Creative Agency Marietta, GA
  • Shot and edited about 90 client videos across 22 accounts, covering commercials, testimonials, and social content.
  • Cut average project turnaround from 5 weeks to 3 by restructuring the review process into 2 defined rounds.
  • Built the agency's asset library of 4,000 clips, which cut sourcing time on new projects by roughly 60%.
Camera Operator and Editor 06/2017 – 06/2018
Chattahoochee Point Media Atlanta, GA
  • Operated camera on 60 shoots including 20 multi-camera live events for audiences of 200 to 3,000.
  • Edited about 80 short-form pieces, working to a 48-hour turnaround on event highlight deliverables.
  • Maintained a gear inventory of 140 items across 3 kits, with no equipment losses across 14 months.
Projects

Documentary Series. Directed, shot, and edited a 6-episode series following 4 athletes across a competitive season, including 40 shoot days on location. The series drew 4.2 million views and was licensed by 3 partner channels.

Watch Time Rebuild. Analyzed drop-off across 60 published videos, found viewers leaving in the first 5 seconds, and rebuilt openings around an immediate visual hook. Average watch time rose from 34% to 61% across the following year.

Asset Library System. Catalogued and tagged 4,000 clips with a consistent naming and metadata standard after watching editors reshoot footage that already existed. Sourcing time on new projects fell by roughly 60%.

Extra-Curricular Activities
  • Volunteer videographer for an Atlanta youth arts nonprofit, producing 4 fundraising films a year at no charge.
  • Teach a quarterly lighting workshop at a community media centre for 15 to 25 emerging filmmakers.
  • Screen work at regional film festivals, with 3 short pieces selected across the past four years.
Leadership
  • Direct crews of up to 8 on larger shoots, covering camera, lighting, sound, and production assistance.
  • Set the brand's video style guide covering framing, colour, typography, and audio, now followed by 3 external production partners.
  • Mentor 2 junior video producers, both of whom now lead their own shoots end to end.
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Entry Level Videographer Resume Example

Meet Priya Ganeshan, an entry level videographer moving from a film degree and student production work into a first staff role. This example shows how a strong portfolio, campus productions, and paid side work carry a resume before professional credits accumulate.

Priya Ganeshan

(312) 555-0119 ◇ Chicago, IL

priya.ganeshan@example.com ◇ linkedin.com/in/priya-ganeshan ◇ priyaganeshan.com

Objective

Entry level videographer with a film production degree, 14 student and freelance productions, and a published portfolio. Shot and edited 30 paid pieces alongside coursework, including a documentary short selected for 2 regional festivals. Comfortable operating camera, lighting a two-person interview, and cutting to a deadline without supervision.

Education
B.F.A. in Film Production, Lake Shore Arts University 2021 – 2025

GPA 3.8; concentration in Cinematography; senior documentary selected for 2 regional film festivals.

Adobe Certified Professional, Premiere Pro, Adobe 2024

Also completed a colour grading course in DaVinci Resolve and holds an FAA Part 107 remote pilot certificate.

Skills
Camera & Lighting
Camera operation, exposure and focus pulling, three-point lighting, interview setup, handheld and gimbal work
Post-Production
Editing, basic colour grading, audio cleanup, titles and lower thirds, export presets for social platforms
Production Support
Shot lists, call sheets, location scouting, gear prep and checkout, file backup and media management
Tools & Gear
Adobe Premiere Pro, DaVinci Resolve, After Effects, Sony A7S III, Canon C70, Aputure lights, DJI drones
Experience
Freelance Videographer 06/2023 – Present
Independent Chicago, IL
  • Shot and edited 30 paid pieces for 11 small business and nonprofit clients while completing a full degree course load.
  • Produced a 6-video campaign for a local restaurant group that drew 340,000 combined views across social platforms.
  • Delivered every project on the agreed date across 30 engagements, with 7 clients booking repeat work.
Production Assistant and Camera Operator 09/2023 – 05/2025
Lake Shore Arts University Media Services Chicago, IL
  • Operated camera on about 60 campus events and lectures, including 18 multi-camera productions for audiences up to 800.
  • Edited roughly 45 recordings to a 72-hour turnaround for publication on the university channel.
  • Managed gear checkout for a 200-item inventory used by 140 students, with no losses across 2 academic years.
Video Production Intern 05/2024 – 08/2024
Wicker Bend Production House Chicago, IL
  • Supported 14 commercial shoots as a second camera operator and assistant across a 12-week internship.
  • Edited 9 social cutdowns from long-form client footage, of which 7 were delivered to clients without revision.
  • Organized and archived 6 terabytes of project footage into a consistent folder and naming structure.
Projects

Senior Documentary. Directed, shot, and edited a 22-minute documentary about a neighbourhood grocery over 8 months and 30 shoot days. The film was selected for 2 regional festivals and is the centrepiece of the portfolio.

Restaurant Campaign. Produced a 6-video campaign for a local restaurant group, handling concept, shooting, editing, and platform-specific versioning. The campaign drew 340,000 combined views and led to a retained monthly arrangement.

Portfolio Site. Built a portfolio presenting 12 pieces with a short note on each covering the brief, the constraint, and the approach taken. The context notes are what most client conversations start from.

Extra-Curricular Activities
  • President of the university film society, organizing 12 screenings and 3 production workshops a year for about 90 members.
  • Volunteer videographer for a Chicago community garden network, producing 3 short films a year at no charge.
  • Participate in an annual 48-hour film competition, with 2 team entries placing in the top 10 since 2023.
Leadership
  • Directed a crew of 9 on the senior documentary across 30 shoot days, handling scheduling and subject relationships.
  • Served as president of a film society of 90 members, running 12 screenings and 3 workshops a year.
  • Trained 8 students on camera and gear checkout procedures while working in university media services.
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Freelance Videographer Resume Example

Meet Caleb Nordstrom, a freelance videographer running his own production business across corporate, commercial, and event clients. This example demonstrates how to present self-employment credibly: client roster, day rates, repeat business, and the operational side of running a shop.

Caleb Nordstrom

(612) 555-0171 ◇ Minneapolis, MN

caleb.nordstrom@example.com ◇ linkedin.com/in/caleb-nordstrom ◇ calebnordstrom.com

Objective

Freelance Videographer running an independent production business for 8 years across corporate, commercial, and event work. Grew annual revenue from $34,000 to $186,000, delivered 380 projects for 90 clients, and holds a 68% repeat booking rate. Runs the business as well as the camera, which is the part most freelance resumes leave out.

Education
B.A. in Communications, North Star Ridge University 2013 – 2017

Minor in Business; coursework in Media Production, Marketing, and Small Business Management.

FAA Part 107 Remote Pilot Certificate, Federal Aviation Administration 2019

Current through 2027; carries $2M general liability and equipment insurance required by corporate clients.

Skills
Production
Cinematography, lighting, multi-camera events, interviews, drone operation, live streaming, audio capture
Post-Production
Editing, colour grading, sound mixing, motion graphics, platform versioning, client review workflows
Business Operations
Quoting and scoping, contracts, day rate structuring, invoicing, subcontractor management, insurance and licensing
Tools & Gear
Adobe Premiere Pro, DaVinci Resolve, After Effects, Sony FX6, Canon C300, Aputure and Nanlux lighting, Frame.io
Experience
Owner and Freelance Videographer 02/2018 – Present
Nordstrom Visual Works Minneapolis, MN
  • Deliver about 55 projects a year for a client base of 90, spanning corporate video, commercials, and multi-camera events.
  • Grew annual revenue from $34,000 to $186,000 across 8 years by moving from hourly rates to scoped project pricing.
  • Hold a 68% repeat booking rate, with 14 clients on retained annual arrangements covering 4 to 12 projects each.
Staff Videographer 08/2017 – 01/2018
Bde Maka Line Marketing Saint Paul, MN
  • Shot and edited 22 client videos across 9 accounts during a 6-month staff engagement before going independent.
  • Introduced a 2-round review process that cut average revision cycles from 5 to 2 per project.
  • Built a reusable motion graphics template set that the agency used across 30 subsequent projects.
Video Editor and Camera Assistant 06/2016 – 07/2017
Mill District Production Company Minneapolis, MN
  • Assisted on 45 commercial and corporate shoots, handling camera support, lighting setup, and media management.
  • Edited about 60 short-form deliverables, working to turnarounds between 24 hours and 2 weeks.
  • Reorganized the archive of 9 terabytes of project footage into a searchable structure still in use.
Projects

Scoped Pricing Model. Replaced hourly billing with 4 project tiers priced on deliverables, shoot days, and revision rounds. Annual revenue grew from $34,000 to $186,000 while working days rose by only about a third.

Retained Client Program. Built an annual retainer offering covering a fixed number of projects with priority scheduling, aimed at clients booking repeatedly. Fourteen clients now sit on retainers, which turned an unpredictable pipeline into a stable revenue base.

Two-Round Review Process. Standardized client review into 2 defined rounds with written feedback consolidated through Frame.io. Average revision cycles fell from 5 to 2, and scope disputes over unlimited revisions ended.

Extra-Curricular Activities
  • Produce 3 pro bono films a year for Twin Cities nonprofits, typically for organizations with no marketing budget.
  • Mentor 4 emerging freelancers a year on pricing and contracts through a local creative professionals network.
  • Teach a twice-yearly workshop on freelance business practice for 20 to 30 creative professionals.
Leadership
  • Built and run an independent production business from first client to 90, handling delivery, pricing, and acquisition alone.
  • Hire and direct crews of up to 6 on larger productions, including 4 regular subcontractors reviewed before every client delivery.
  • Set the pricing model that 4 mentees have adopted, with 3 reporting revenue increases within a year of switching.
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Senior Videographer Resume Example

Meet Yasmin Al-Rashid, a senior videographer setting visual direction and leading crews rather than just operating a camera. This example highlights creative direction, crew leadership, budget ownership, and results measured across a whole content program.

Yasmin Al-Rashid

(646) 555-0188 ◇ Brooklyn, NY

yasmin.al-rashid@example.com ◇ linkedin.com/in/yasmin-al-rashid ◇ yasminalrashid.com

Objective

Senior Videographer setting visual direction for a content program of 300 videos a year and leading crews of up to 14. Owns a $1.9M production budget, took the brand's video-attributed revenue from $2.4M to $7.1M, and built the in-house team that replaced 3 external agencies. Directs the work and the people rather than operating the camera on every job.

Education
M.F.A. in Cinematography, Hudson Arts Conservatory 2012 – 2014

Thesis film screened at 4 festivals; teaching assistant for the undergraduate lighting course for 2 years.

B.A. in Visual Arts, Gowanus Ridge University 2008 – 2012

Graduated cum laude; FAA Part 107 remote pilot certificate held since 2018 and current.

Skills
Creative Direction
Visual identity, treatment writing, shot design, brand consistency, campaign concepting, creative review
Production Leadership
Crew direction, budget ownership, vendor and talent negotiation, production scheduling, risk and permits
Performance
Content strategy, audience analytics, format testing, attribution modeling, channel-specific optimization
Tools & Gear
DaVinci Resolve, Adobe Creative Cloud, ARRI Alexa, RED Komodo, Sony Venice, Frame.io, Airtable, Google Analytics
Experience
Senior Videographer and Creative Lead 01/2020 – Present
Vanbrugh Consumer Group Brooklyn, NY
  • Set visual direction for a program producing 300 videos a year, owning a $1.9M budget and a team of 6 plus freelance crew.
  • Grew video-attributed revenue from $2.4M to $7.1M over four years by restructuring content around 3 tested formats.
  • Built the in-house production capability that replaced 3 external agencies, cutting cost per finished video by 46%.
Videographer and Director of Photography 06/2016 – 12/2019
Red Hook Line Films Brooklyn, NY
  • Shot as director of photography on 40 commercial and branded projects, directing camera and lighting crews of up to 10.
  • Led a national campaign shoot across 6 cities in 18 days, delivered on a $640,000 budget with no overage.
  • Developed the studio's lighting approach for interview work, adopted as the house standard across 4 directors.
Videographer 08/2014 – 05/2016
Bushwick Point Media Collective Brooklyn, NY
  • Shot and edited about 70 pieces a year across documentary, event, and branded content for 30 clients.
  • Produced a documentary short that drew 1.8 million views and won a regional award for cinematography.
  • Trained 5 junior operators on camera and lighting, 3 of whom went on to shoot independently for the collective.
Projects

In-House Production Build. Made the case for and built an internal production capability covering studio, gear, and a 6-person team, replacing 3 external agencies. Cost per finished video fell 46% and turnaround dropped from 6 weeks to 10 days.

Format Testing Program. Ran structured tests across 9 content formats, measuring watch time and conversion rather than views alone. Three formats emerged as consistent performers and now account for most of the program's output and its revenue attribution.

Brand Visual Standard. Wrote a 30-page visual standard covering framing, lighting, colour, typography, and audio, with reference stills for each. Applied across 300 videos a year and issued to every freelance crew before a shoot.

Extra-Curricular Activities
  • Guest lecture twice a year at a film conservatory on cinematography for commercial work, reaching about 80 students.
  • Mentor 4 emerging cinematographers a year, with 2 former mentees now working as directors of photography.
  • Serve on the selection committee for a regional short film festival, reviewing roughly 90 submissions annually.
Leadership
  • Lead a production team of 6 plus freelance crews of up to 14, owning hiring, direction, and creative review.
  • Own a $1.9M annual production budget, including gear investment, freelance rates, and location costs.
  • Made and won the internal case for building production in house, a decision that reshaped how the company makes content.
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Videographer Intern Resume Example

Meet Marcus Trelawney, a videographer intern with one completed internship and a second underway alongside his degree. This example shows how to make an internship resume substantive by describing what was actually shot, edited, and delivered rather than what was observed.

Marcus Trelawney

(503) 555-0117 ◇ Eugene, OR

marcus.trelawney@example.com ◇ linkedin.com/in/marcus-trelawney ◇ marcustrelawney.com

Objective

Third-year film student seeking a videographer internship, with one internship completed and a second underway. Shot and edited 18 delivered pieces across both placements, including 6 published without revision, and operates camera on campus productions weekly. Looking for a role where the work is shooting and cutting rather than fetching coffee and watching.

Education
B.A. in Cinema Studies and Production, Willamette Crest University 2023 – 2027

GPA 3.7; coursework in Cinematography, Editing, Screenwriting, and Sound for Picture.

Adobe Certified Professional, Premiere Pro, Adobe 2025

Also completed an online colour grading course in DaVinci Resolve covering 24 hours of instruction.

Skills
Camera
Camera operation, exposure and white balance, focus pulling, tripod and gimbal work, basic lighting setup
Editing
Assembly and rough cuts, audio sync and cleanup, titles, export presets, basic colour correction
On Set
Gear prep and checkout, cable management, slating, media offload and backup, call sheet reading
Tools & Gear
Adobe Premiere Pro, DaVinci Resolve, After Effects basics, Sony A7 III, Canon C70, Aputure lights, Rode audio
Experience
Videography Intern 06/2025 – Present
McKenzie Line Creative Studio Eugene, OR
  • Shoot and edit social content for 5 client accounts, delivering 11 finished pieces in the first 4 months.
  • Operated second camera on 9 commercial shoots, handling framing and focus under the director of photography.
  • Cut the studio's media offload and backup time from 90 minutes to 30 by scripting the folder structure and checksum process.
Video Production Intern 06/2024 – 08/2024
Cascade Bend Athletics Department Eugene, OR
  • Shot and edited 7 athlete feature videos across a 10-week summer internship, all published on department channels.
  • Operated camera on 14 multi-camera game broadcasts for audiences of up to 12,000 in attendance.
  • Produced 20 short-form highlight cutdowns on a 12-hour turnaround following each home event.
Camera Operator, Student Productions 09/2023 – Present
Willamette Crest University Eugene, OR
  • Operate camera on about 25 student productions a year including 8 narrative shorts and 6 documentary pieces.
  • Served as director of photography on 4 student films, 2 of which screened at the university's annual showcase.
  • Maintain the student film society gear kit of 60 items, tracking checkout for about 45 active members.
Projects

Athlete Feature Series. Shot and edited 7 athlete profiles over a summer internship, handling interview lighting, b-roll, and final cut independently. All 7 were published, and 2 were used in recruiting material the following season.

Media Offload Automation. Wrote a short script that creates the project folder structure, copies footage with checksum verification, and generates a manifest. Offload time fell from 90 minutes to 30, and the studio adopted it as standard practice.

Student Narrative Short. Worked as director of photography on a 12-minute narrative short across 8 shoot days, designing the lighting for 6 locations. The film screened at the university showcase and anchors the cinematography portfolio.

Extra-Curricular Activities
  • Gear officer for the university film society, managing a 60-item kit and checkout for about 45 members.
  • Volunteer videographer for a Eugene animal rescue, producing 6 adoption videos a year at no charge.
  • Compete in an annual 48-hour film challenge, with 2 team entries completed and screened since 2024.
Leadership
  • Served as director of photography on 4 student films, directing camera and lighting for crews of up to 6.
  • Manage the film society gear kit of 60 items, having introduced the checkout log that ended the equipment losses.
  • Trained 5 first-year students on camera operation and gear handling through the society's introductory workshops.
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Wedding Videographer Resume Example

Meet Camille Beaumont, a wedding videographer running a business where every shoot is unrepeatable and the client is emotionally invested. This example demonstrates volume, delivery reliability, referral rate, and the redundancy practices that a one-take event demands.

Camille Beaumont

(843) 555-0162 ◇ Charleston, SC

camille.beaumont@example.com ◇ linkedin.com/in/camille-beaumont ◇ camillebeaumont.com

Objective

Wedding Videographer with 9 years and 320 weddings filmed, where nothing is repeatable and the client has been planning for a year. Delivers every film within the contracted 8 weeks across 320 events, books 64% of work through referral, and has never lost footage thanks to dual-card recording and same-night backup. Runs the redundancy that one-take events demand.

Education
B.A. in Media Arts, Lowcountry Ridge University 2012 – 2016

Coursework in Cinematography, Editing, and Audio Production; minor in Business Administration.

FAA Part 107 Remote Pilot Certificate, Federal Aviation Administration 2019

Current through 2027; carries liability and equipment insurance required by most wedding venues.

Skills
Event Cinematography
Documentary-style shooting, low-light ceremonies, multi-camera coverage, gimbal work, drone aerials
Audio & Redundancy
Lavalier and shotgun capture, board feeds, backup recorders, dual-card recording, same-night offload and backup
Client Experience
Consultation and expectation setting, timeline planning, vendor coordination, contracts, delivery and archiving
Tools & Gear
Adobe Premiere Pro, DaVinci Resolve, Sony FX3 and A7S III, DJI Ronin, Rode and Zoom audio, DJI drones, Vimeo
Experience
Owner and Lead Wedding Videographer 05/2018 – Present
Beaumont Wedding Films Charleston, SC
  • Film about 45 weddings a year with a second shooter, covering ceremonies, receptions, and full-day documentary coverage.
  • Delivered all 320 films within the contracted 8-week window, with average delivery at 6 weeks across the past three years.
  • Book 64% of weddings through client referral and venue recommendation, with 9 venues listing the business as preferred.
Wedding Videographer 06/2016 – 04/2018
Palmetto Line Wedding Studio Mount Pleasant, SC
  • Shot roughly 60 weddings as lead or second videographer across 2 years for a studio booking 90 events annually.
  • Cut the studio's average edit time per wedding from 26 hours to 17 by building a template and music licensing library.
  • Introduced dual-card recording and same-night backup as studio policy across all 90 annual events, ending 3 years of near-miss footage scares.
Videographer and Editor 07/2015 – 05/2016
Ashley Bend Event Media Charleston, SC
  • Covered about 40 corporate and social events, handling camera, audio, and same-week edit delivery.
  • Edited roughly 50 highlight films working to turnarounds between 3 days and 2 weeks.
  • Managed the archive of 12 terabytes of event footage with a documented retention and retrieval process.
Projects

Redundancy Protocol. Established dual-card recording, backup audio recorders on every ceremony, and same-night offload to 2 drives before sleeping. Across 320 weddings no footage has been lost, which for an unrepeatable event is the whole job.

Delivery Time Reduction. Built an edit template, a licensed music library, and a defined 2-round revision process. Average edit time per wedding fell from 26 hours to 17 and delivery moved from 8 weeks to 6 without shortening the films.

Venue Partnership Program. Built relationships with 9 Charleston venues by delivering venue-usable footage alongside each client film at no extra cost. The venues now list the business as preferred, which drives most of the referral bookings.

Extra-Curricular Activities
  • Film 2 weddings a year at no charge for couples nominated through a community program for families facing hardship.
  • Mentor 3 wedding videographers a year on pricing, contracts, and redundancy practice through an industry forum.
  • Speak at a regional wedding industry conference most years, most recently to about 120 attendees on client expectations.
Leadership
  • Built and run an independent wedding film business, handling booking, delivery, and 9 venue partnerships alone.
  • Hire and direct 4 regular second shooters, briefing each on coverage and reviewing their footage after every event.
  • Introduced the redundancy protocol at a previous studio, where it became policy across all 90 annual events.
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