(504) 555-0137 ◇ New Orleans, LA
ezra.bloomfield@example.com ◇ linkedin.com/in/ezra-bloomfield ◇ ezrabloomfield.com
Audio engineer with 9 years in studio recording and mixing, credited on 140 released records across jazz, roots, and hip hop. Runs about 220 sessions a year across 2 rooms, holds a 94% client return rate, and mixed 3 records that reached national airplay charts. Studio work rather than live, where the job is capturing a performance and making the mix serve it.
Coursework in Recording Techniques, Acoustics, Signal Processing, and Music Production.
Also holds Dolby Atmos music mixing certification, earned in 2023.
- Engineer about 220 sessions a year across 2 rooms for independent artists and 3 record labels.
- Credited on 90 released records in 5 years, including 3 that reached national airplay charts.
- Hold a 94% client return rate and brought in 40 new artist clients through referral.
- Ran about 180 tracking and mixing sessions a year in a 1-room facility.
- Credited on 50 released records across 3 years, mixing 30 of them start to finish.
- Cut average mix revision rounds from 4 to 2 by sending reference mixes before full sessions.
- Assisted on about 200 sessions in the first year, handling setup, patching, and session files.
- Built the session template and file naming standard that eliminated 3 recurring delivery errors.
- Maintained a microphone locker of 60 units and a patchbay of 200 points.
Charting Records. Engineered and mixed 3 records that reached national airplay charts, each tracked live in the room with a 6 to 9 piece band rather than layered, which is what the artists wanted the records to sound like.
Immersive Mixing Room. Led the build-out of a second room for immersive format mixing, specifying monitoring and calibration, and delivered 20 immersive mixes for streaming release in its first year.
Reference Mix Process. Introduced a reference mix step before full mix sessions, which cut revision rounds from 4 to 2 and made client conversations about direction rather than detail.
- Record and mix a free annual compilation for a local music nonprofit, about 12 artists a year.
- Teach a recording workshop 4 times a year for a youth music programme of about 30 students.
- Member of a regional audio engineering society section, attending roughly 8 events a year.
- Lead a studio staff of 4 across 2 rooms and set the session and delivery standards.
- Trained 5 assistant engineers, 3 of whom now engineer sessions independently.
- Specified and led the second room build-out from design through calibration.

.webp)



.webp)


%20Which%20Should%20You%20Use.webp)